Oludamini Ogunnaike tentatively ushers the words to the poem he has translated from Sufi master Shaykh Ibrahim Niasse’s collection The Light of Truth. “The Holy is not seen with the naked eye, but rather with the eye of blindness and obliteration and annihilation and effacement,” he reads. When he stumbles with the English, it is his knowledge of how the Arabic flows that causes hesitation. In Arabic, the words, sounds and cadences are said to demarcate paths toward God. Continue reading
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